What’s interesting – though perhaps not unsurprising – is that that couldn’t be further from how she sees herself.Īs we grab a coffee in a greasy spoon around the corner from her practice room, I ask her if she feels cool. Savage is a force to be reckoned with when she’s holding a microphone, with a talent so abundant, a charm so pervasive, and a coolness so intrinsic that it borders on intimidating. Originally hired as a musician, she was quickly promoted to a larger role, playing a pregnant character that spoke entirely through the medium of beatboxing. In 2013, she also starred in the National Theatre’s Home, a play about homelessness. The UK beatboxing champion four times over, her one-woman show Blind – about her journey into beatboxing – ran in Edinburgh and the Soho Theatre in 2015. In a windowless practice room just off Camden Road, Grace Savage wrestles with her loop machine ahead of her gig later in the evening. UK champion Grace Savage is turning the male-dominated beatboxing scene on its head, turning beats and lyrics into revolutionary new weaponry.
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